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The Visit

The Visit.

He walked across the veranda and stopped just behind her.

‘Jodie?’

The young girl stared into the darkness and said nothing.

‘Jodie, I…’

‘Don’t talk to me.’

‘Come on, Honey, I just…’

The girl whistled tunelessly and studied the darkness.

‘Jodie don’t…’

‘You left us.’

The man bowed his head. ‘I know, Honey. I didn’t want to.’

‘You just left, without even saying goodbye.’

‘I couldn’t, Jodie, there wasn’t time, your Mom…’

‘Mom was hurt real bad. Do you know that?’

‘Yes, Honey, I know that. Do you miss me too, just a little?’

‘No, I got over you, it took a while, but I made it.’

‘I never got over you, Jodie. Never will.’

The girl got up from the step and turned to face him.

‘You haven’t changed much.’

‘No,’ he laughed. ‘I don’t suppose I have.’ He reached out to put a hand on her shoulder.

She stepped back quickly. ‘Have you seen Ryan?’

‘Not yet, I don’t know if he wants to see me.’

‘Probably not. He calls Jim, Dad, now.’

‘And you? Do you call Jim, Dad?’

She shook her head. ‘He’s not my Dad. I call him Jim.’

‘Is he looking after you Okay? Does he…’

‘What do you care? You left us. He wouldn’t be here but for that.’ She sat on the step again and wiped away and angry tear.

He placed a soft hand on her hair. She snapped her head away, then dropped her chin to her chest and began to sob. ‘You went… without…saying…goodbye.’

He sat on the step and placed his arm around her shoulder. A few seconds later she buried her head in his chest.

‘I would have given anything to stay, Sweetheart. You know that. I would never do anything to hurt you.’

The sobbing slowly subsided. When she spoke again her voice was soft, all the anger gone.

‘Christmas was bad, and Thanksgiving. I didn’t celebrate my birthday, not properly.’

‘I couldn’t send you anything, Jodie. It wasn’t possible.’

‘I know, Dad. I’m older now, I understand.’

A voice called from inside the house. ‘Jodie? Dinner’s ready. Come wash your hands.’

She stood up slowly. He crouched and took her hands in his. ‘You had better go or you’ll be in trouble.’

She threw her arms round his neck and hugged him. ‘Thanks for coming, Dad. Will I see you again?’

‘He sucked on his teeth and tipped his head to the side. ‘Never say never. It’s difficult, but I’ll try to come over now and then. It might be a while ’til next time though.’

She stepped back and gave him a smile. ‘I love you Dad.’

He nodded slowly. ‘I know, Honey, and I love you, never forget that.’

She smiled again. ‘Sorry for behaving like a brat.’ She turned away and crossed the veranda as Jim appeared in the doorway.

‘Jodie, how many more times…’

‘Sorry, Jim. I was just thinking about Dad…it’s three years ago today that he died.’

Designer Shorts

Re-Released today. The Kindle version of my collection of Short Stories, poetry and sample chapters.

Knees provided by
David W Robinson

Designer Shorts is an anthology of short stories, excerpts from works in progress and a bonus section of poetry by the author of Tracy’s Hot Mail, T A Belshaw.
The collection includes two emails from the sequel to Tracy’s Hot Mail, Tracy’s Celebrity Hot Mail.
The Zombie Poets is a rather amusing tale about the aftermath of a Zombie apocalypse. The Zombies don’t want to eat brains; they have something far worse in mind.
The Psychic is a short story about a bored policeman stuck on desk duty, who encounters a strange individual delivering a very disturbing message.
Blind Date is a three-part story of a woman who allows herself to be persuaded to go on a blind date with the friend of a friend.
The Instant Messaging Machine, the Bath O’ Matic and The Time Machine are a series of Steampunk stories based around a Victorian inventor and the wife of his best friend who is determined to become the test driver for his amazing inventions.
The Second Valentine’s Day Massacre is a tale of gangster revenge.
Can You tell me Where God Is, tells the story, in verse, of a man struggling to bypass heaven’s insufferable, red tape.
At My Expense, is a poem about MPs expenses, whilst Clicking Gran is a children’s poem long listed in the Plough Prize international poetry Competition.

My Mistake was highly commended in the Farringdon Poetry competition.

Available on Kindle, Click Here. Amazon UK



The Steampunk Instant Messaging Machine

From 2011

‘What an interesting device, Sir Oswald. What does it do exactly?’ Albert Parkin straightened his cravat, leant back in the stiff leather chair and took a sip from his brandy glass.

‘This,’ said Sir Oswald, ‘is my latest invention. I call it the IM machine. It is capable of sending short messages to recipients anywhere in the world. Providing they have one of these devices of course.’

‘Doesn’t the Telegraph system already do that?’ asked Albert.

Sir Oswald nodded. ‘Yes, but this little beauty can be set up in a person’s own home or office.’ A huge grin spread over his face. ‘No waiting for the delivery boy.’

‘It does looks very impressive,’ said Mrs Parkin from the back of the machine. Her head appeared through a cloud of steam. ‘How does one send an instant message?’

Sir Oswald puffed out his chest and stood proudly in front of the contraption. He opened a small door and threw in a single lump of coal. A fresh burst of steam hissed from a valve at the rear making Mrs Parkin scurry round to the front. She laid a soft hand on Sir Oswald’s arm as a small cloud of smoke snaked from a funnel on top.

Let’s say,’ said Sir Oswald, ‘that I wanted to send a message to Mrs Pettigrew, my secretary at Crankshaft and Piston Ltd. All I would have to do is this…’

Sir Oswald pulled a red lever, twisted a dial, then pulled on a green handle. He turned to Mrs Parkin with a smile as a panel slid to the side and a typewriter keyboard presented itself.

‘Voila.’

Sir Oswald fingers danced across the brightly polished keys. As he hit return, the machine emitted a small toot. There was a crunching of cogs, and more steam hissed from the safety valve. To Mrs Parkin’s delight a thin strip of tape appeared from a slot in front of her.

At Sir Oswald’s invitation, Mrs Parkin pulled the tape from the slot and read aloud.

‘Mrs Pettigrew. Please reply to this message immediately.’

Sir Oswald fed the tape into a second slot just above the first, and pressed the return key again.

‘Shouldn’t take a minute,’ he preened. ‘We have an identical machine in the office. We’re hoping to have thirty of them littered around the county by the end of next year.’

Sir Oswald poured himself another brandy and strolled back to the IM machine.

‘It’s taking longer than usual,’ he said with a frown.

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The Country Park

From 2009

The Country Park

By Ruddred0 at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33165150

I live in a village called Ruddington, part of the borough of Rushcliffe in Nottinghamshire.

The village itself dates back to Saxon times, though a recent excavation on the perimeter found stone arrowheads dating back to 1500 BC. Looking at certain members of some of the older families of the village, I can well believe they have been here that long. Two spring to mind immediately. They both have beards, long straggly hair and the wife of one of them has a fur coat.

Close by the arrowheads they found the remains of a Roman villa. Try as I might, I have yet to discover any of their distant relatives. No orgies have been reported in my lifetime.

 Such is the gossipy nature of the village, that if as much as a threesome had been planned, the entire village would have heard of it before number three had taken his coat off. A full-blown orgy would have seen a horde of Ruddintonians peering through windows long before the participants got as far as second helpings.

Ruddington is home to the famous Framework and Knitters Museum. I have to shamefully admit that this is a place I have never visited. Maybe it’s the thought of those dark old satanic mills that puts me off, maybe it’s the anger I would surely feel when I saw the conditions those poor Victorian wretches had to work in. But mainly I think it’s because I would be bored rigid. Cotton and wool, whilst worthy commodities, do not do a lot for me.

The museum is situated just beyond the church in the centre of the red brick village. Ruddington may sound as if it is named after the colour of its soil, or the brickwork on show; but it is actually named after a Saxon called Rudda. The name Ruddington means “the homestead’ or ‘ton’ of the Ruddingas (Rudda’s people).

I believe an ex-village hairdresser is a direct descendent of Rudda. I’m sure she used an axe as a hair cutting tool, there is no way you could make it look that rough, using scissors.

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